You know what's wrong with that boy, Maude?
He got no jazz!
Sure he does, Harry.
I seen the records in boxes in his room.
Them boxes got dust ,
and they ain't no jazz anyhow ...
no Charlie Mingus, his fists
keeping time on other people's faces
no Charlie Parker, his horn
traded for smack before a gig in New York.
Only pale-faced intellectuals haunting the hallways
of creativity - imposing reason
upon the primal urge of spontaneous composition ;
He talked at length about seasons
but understod them not -
They gave him only impressions - like a swan
breaking the flat-calm of a lake beneath the moonlight
in a tepid winter
He felt moved by the cyclical death of both beauty and youth,
but remained unconvinced that it mattered much
in the seduction of whiskey-bitches: branded and blind-sided,
but left - not entirely - unloved.
He got no jazz!
Sure he does, Harry.
I seen the records in boxes in his room.
Them boxes got dust ,
and they ain't no jazz anyhow ...
no Charlie Mingus, his fists
keeping time on other people's faces
no Charlie Parker, his horn
traded for smack before a gig in New York.
Only pale-faced intellectuals haunting the hallways
of creativity - imposing reason
upon the primal urge of spontaneous composition ;
He talked at length about seasons
but understod them not -
They gave him only impressions - like a swan
breaking the flat-calm of a lake beneath the moonlight
in a tepid winter
He felt moved by the cyclical death of both beauty and youth,
but remained unconvinced that it mattered much
in the seduction of whiskey-bitches: branded and blind-sided,
but left - not entirely - unloved.

1 Comments:
hmmm...enjoy the dialogue to enter the poem...the "no Charlie Minugs, his fists" line is marvelous...and find the conclusion fitting toward the poem's cycle and metaphor...good one randy...good one chum...
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